8/31/2023 0 Comments Maag gear handbook pdfIt’s also a spot that some less expensive microphones (especially dynamics) tend to emphasize, which is why many mixers almost automatically cut a a few dB of this area out of the kick drum during the mix. 300 to 500Hz (Boxy) – Too much of this frequency area results in the dreaded “boxiness” sound, or if you’re listening to a floor tom or kick, the “beach ball” effect.It’s a fine line, but many times mixers err on the side of too much and end up with a track that’s too thick that clutters up the mix. 200Hz (Mud) – Too much can cause the track or the mix to sound muddy or boomy, while not enough of it can make it sound thin.These are areas where too much or too little can cause your track to either stick out like a sore thumb, or disappear into the mix completely. Whenever an engineer has trouble dialing in the EQ on a track, chances are its because of one or more of the 6 often-overlooked trouble frequencies. 6 Trouble Frequencies To Be Aware Of When You Mix
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